Monday, November 06, 2006

LIVE, BUT DEAD • Peter Callesen

The Lost Sheep

Tower of Babel

Single Double Bed


Peter Callesen creates small paper sculptures as well as framed wall objects, all made from A4 white paper. Beauty and decay are closely linked together in Callesen’s imaginary universes where pure sheets of paper stage open-ended stories. Here birds try to escape their drawings, the Tower of Babel is raised in just one piece and Heaven and Hell are bound together by climbing clematis with fat spiders crawling across their surface.
Romanticism, desire, perish and melancholia are all themes of Callesen’s paper works where dreams become real through three-dimensional installations done with an extremely meticulous cut out technique. The delicate paper cut outs have often grotesque points telling about fragility of life.

Burnable Snowman

more here and here



via

Sunday, November 05, 2006

hedges and questions



just one word: Why?

Digged at Cutie Curiosa, a place dedicated to ask the important questions of our time

via

Saturday, November 04, 2006

Flowers and Questions

flirtation love from Equilibres / Quiet Afternoon

question 3


theory and practice


Fischli & Weiss, Flowers & Questions. A Retrospective at Tate Modern is the first UK retrospective to explore the collaborative art practice of Swiss artists Peter Fischli (b1952) and David Weiss (b1946).
Since the late 1970s the artists have consistently captivated and amused audiences with their extraordinary transformations of the commonplace. Fischli and Weiss work across a wide range of media and this exhibition presents their sculpture, installation, moving image and photography. Underlying all of their work is a childlike spirit of discovery which encourages the viewer to look afresh at their surroundings. In Fischli and Weiss’s world everyday objects take on an unexpectedly lifelike quality; they balance on each other, play off each other and collide into one another with a witty intelligence infused by the artists.


from The Sausage Photographs

Fischli & Weiss, Flowers & Questions. A Retrospective at Tate Modern till january 14th, 2007

via

Friday, November 03, 2006

About mice and men • Adam Stennett

"EVERYTHING TASTES BETTER WHEN YOU ARE BLIND" 2005, VIDEO DVD, 9 minutes 56 seconds, Edition of 9+2AP
Everything Tastes Better When You Are Blind is a flirtatious first date which involves a seven course meal, sexual tension, obliviousness and a multiplying swarm of white mice.

"MOUSE ON FLOWER AT OLANA" 2005, OIL ON WOOD, 24" X 24"

more mice at 31Grand

Thursday, November 02, 2006

Kitchen Suprematism • Blue Noses






Blue Noses (the Siberian duo Vyacheslav Mizin and Alexander Shaburov) are known for their satirical and provocative videos, photographs and performances which parody and critique Russia's past and its present day capitalist boom.
In the series Kitchen Suprematism, abstract compositions of iconic importance to Russian art historians are reduced to humble arrangements of cold meats, cheese and bread.
Blue Noses emerged from a loose association of artists active in Siberia in the 1990s. Shaburov's conviction that art should flow from the everyday was expressed in works such as My daily route from home to the bus-stop: photographs every 15 paces (1987); in his hosting of the TV show Guess The Melody, where he mouthed words silently and viewers had to guess the song (1993); and his receipt of a Soros Foundation grant to produce the project Tooth Repair, documenting a trip to the dentist (1996). On the eve of the new millennium (31 December 1999), in an attempt to avoid the promised year-zero computer apocalypse, Mizin, Shaburov and friends shut themselves in a bomb-shelter in Novosibirsk and made a series of videos in which they wore blue bottle-tops on their noses. The epithet Blue Noses was coined and stuck to Mizin and Shaburov; they finally gave up trying to shake off the brand in 2003, when they arrived at a hotel to find that they were booked in with the surname Blyunosez.

Blue Noses have represented Rusasia at the Venice Biennale.


More works by Blue Noses at Mathew Bown Gallery


update: (since nobody reads comments) Thomas points to the fact that the russian custom seized 11 pieces of art by Blue Noses, mainly from their "Mask Show" series.
snippet from a NYT-article:

MOSCOW, Oct. 21 — A group of men burst into a contemporary art gallery here Saturday, destroying work by an ethnic Georgian artist and beating up the owner, Marat Guelman. Mr. Guelman is well known both for his display of politically inspired and irreverent art and, most recently, his public attacks on neofascists for their dislike of non-Russians and of Western influence on Russian society.

Mr. Guelman said the attack was carried out by 10 men who looked like skinheads. The attack was the latest incident to raise troubling questions about xenophobia and freedom of expression in Russia.

On Friday, Russian officials seized 11 pieces of art that Mr. Guelman had exhibited. The art was on consignment to a London gallery owner, Matthew Bown, who was taking the pieces out of the country when he was detained at Sheremetyevo-2 airport on Friday.

The photo collages that were seized included one depicting President Vladimir Putin, President Bush and Osama bin Laden lounging in boxer shorts and another of a veiled suicide bomber with her skirt held up to reveal racy lingerie.

Mr. Bown was allowed to leave for London, but the artwork was not released.

It is unclear whether the seizure of the artwork on Friday and the attack on the gallery were related, coincidence or driven by news about the airport seizure on the radio and the Internet. Mr. Guelman has made a fair number of enemies this year because of his public criticism of neofascists and nationalists.

He is now on a list of “enemies of Russia” that is being circulated on the Internet by Russian neofascists:
full article here (may require registration)
also posted on artists unite

Art Angst seems to be a widespread phenomena these days


digged by indie

Youth • Albrecht Tuebke





Youth: Posed in isolation, against the blurred neutrality of urban backdrops, Albrecht Tuebke's adolescents seem to float in a strange placid limbo, somewhere between aggression and apprehension. In these somewhat matter-of-fact C-Prints, Tuebke has managed to erase the overtones of anger or restlessness that stereotypically stalk urban youth culture. The sympathy and empathy through whose auspices these images seem to have been perpetrated has somehow poured oil on troubled waters, but strangely the tranquil banality which pervades the mood here is equally, if not more, worrying than its violent counterpart. If the benign scene can summon the uncanny it does so here.
Roy Exley
full text here (under Youth)

Also don´t miss Dalliendorf and Heads

Wednesday, November 01, 2006

Nakagawa Shoko



This just as a follow up to the previous entry "Eat your cat". According to Unscathed corpse the lady eating cats is Nakagawa Shoko.
She's famous as a prolific blogger in Japan. She updates about 5 or 6 times daily, mostly from her phone, with pictures of her face with stuff written on her forehead and also with pictures of cats like the one shown here.