Friday, February 27, 2009

The Little Mermaid

Nadya Vessey lost her legs as a child but now she swims like a mermaid. Nadya Vessey told a little boy: "I'm a little mermaid" when he asked what happened to her legs and the idea stuck.Later she wrote to Weta Workshop in Wellington asking if they would help her realise a life long dream and make her a fully functional mermaid tail so she could swim.
She was astounded when they agreed. She lost both legs below the knee from a medical condition when she was a child and now her long-held dream had come true.
"A prosthetic is a prosthetic, and your body has to be comfortable with it and you have to mentally make it part of yourself," she said.
Weta Workshop director Richard Taylor, more used to winning Oscars for visual effects from movies such as Lord of the Rings, was delighted to make it happen. "She was very patient. We haven't always been able to fulfil some requests. We were engaged in it pretty quickly because it was a challenge." Weta costumer Lee Williams, who worked on the suit between film projects with seven other staff, told Close Up she "wanted [Nadya] to be beautiful and sexy". The suit was made mostly of wetsuit fabric and plastic moulds, and was covered in a digitally printed sock. Mermaid-like scales were painted by hand.
Mr Taylor said not only did the tail have to be functional, it was important it looked realistic. "What became apparent was that she actually physically wanted to look like a mermaid." After seeing Ms Vessey test the tail in Kilbirnie pool then frolic in the harbour, Ms Williams was stoked. "It was absolutely amazing. It's beautiful to watch Nadya swim and to see that dream come true and to be a part of that. I feel quite blessed."


Saturday, February 07, 2009

Underworld Cinema: The Life and Work of J.X. Williams

"Peep Show"

J.X. Williams: Wrapped in an Enigma. If the filmmaker J. X. Williams didn’t exist, someone would have had to invent him..
An exploitation filmmaker with a storied past, Williams is credited as director of the 1965 documentary “Peep Show” - a kind of spiritual vortex of sub rosa Americana surrounding the Kennedy assassination. After supposedly being suppressed for decades, it was recently shown at the Anthology Film Archives in New York, the Film Forum in Los Angeles and a handful of other museum, gallery and festival settings throughout the United States and Europe…

still from "Peep Show"

Shot in stark black-and-white and augmented with copious archival film, “Peep Show” tells a tangled tale of a rigged 1960 election, secret C.I.A. training camps in the Florida outback, sex stings in Mafia hotels and a little-known Mob plot to addict Frank Sinatra to heroin.
Noel Lawrence, who offers his title as curator of the J. X. Williams Archive in San Francisco serves as a kind of one-man advocate for Williams. According to Mr. Lawrence’s spiel, Williams’s résumé reads as a RKO mail-room flunky, closet Communist, abortive House Un-American Activities Committee witness, Mafia gofer, pioneer of mobbed-up stag loops, ghostwriter of some of the blacklist era’s greatest films and incidental avatar of experimental cinema. Williams, as the story goes, has spent the last quarter-century in Zurich in self-imposed exile, leaving Mr. Lawrence to serve as a Robert Maheu figure to his shadowy late-stage Howard Hughes.
(NY Times)

Psych-Burn (1968)

J.X. Williams’ lost masterpiece “The Virgin Sacrifice” (1970)

Tomorrow, Sunday 8th, film curator and archivist Noel Lawrence will share a few of the surviving artifacts of Williams´ tawdry career at the 5th Berlin International Directors Lounge. He also will be previewing excerpts from his forthcoming documentary, "J.X. Williams L.A." which chronicles the misadventures of the mad auteur in Hollywood.