Tuesday, April 12, 2011

Where her son flies in the sky




 On April 12, 1961, Yuri Gagarin, "the Columbus of the Cosmos" became the first human to travel into space. During his flight, Gagarin famously whistled the tune "The Motherland Hears, The Motherland Knows" (Russian: "Родина слышит, Родина знает"). The first two lines of the song are: "The Motherland hears, the Motherland knows/Where her son flies in the sky". The Japanese Guerilla Paparazzi, themself known as maniac voyagers, are shown here while firing flashes of salute in honor of the travelling comrade. It should be noted that we don´t see Mr. Garin in Person, instead it is a "Singing Postcard" with a recording of the radio transmission covering his flight.

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Sunday, April 10, 2011

Black Rain


Black Rain from Semiconductor on Vimeo.


Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO. Here we see the HI (Heliospheric Imager) visual data as it tracks interplanetary space for solar wind and CME's (coronal mass ejections) heading towards Earth. Data courtesy of courtesy of the Heliospheric Imager on the NASA STEREO mission.

Working with STEREO scientists, Semiconductor collected all the HI image data to date, revealing the journey of the satellites from their initial orientation, to their current tracing of the Earth’s orbit around the Sun. Solar wind, CME's, passing planets and comets orbiting the sun can be seen as background stars and the milky way pass by.

As in Semiconductors previous work 'Brilliant Noise' which looked into the sun, they work with raw scientific satellite data which has not yet been cleaned and processed for public consumption. By embracing the artefacts, calibration and phenomena of the capturing process we are reminded of the presence of the human observer who endeavors to extend our perceptions and knowledge through technological innovation.

Commissioned by Animasivo Mexico City, 2009

Semiconductor is artist duo Ruth Jarman and Joe Gerhardt. Through moving image, sound and multi-media installations they explore the material nature of our world and how we experience it, questioning our place in the physical universe. Their unique approach has won them many awards and prestigious fellowships such as the Gulbenkian Galapagos, Smithsonian Artists Research and the NASA Space Sciences. Their work is part of several international public collections and has been exhibited globally including Venice Bienniale, The Royal Academy, Hirshhorn Museum, BBC, ICA and the Exploratorium.

(via We Find Wildness)

Friday, April 08, 2011

DL hits LA

DL at the LAAA
one not to miss: Directors Lounge hits LA, opening reception April 9th 6-9pm
We are screening assorted highlights at the prestigious Los Angeles Art Association (LAAA) as part of  NOT A CAR, a  special all-media, cross-cultural exhibition featuring the highlights  from our partners, the C.A.R. art fair in Essen, Germany, alongside original  contemporary artworks by Los  Angeles artists debuting at Gallery 825 on  April 9, 2011. Exhibit runs  through April 29, 2011.

pictured: some frames from
Eine Geisha wird gefilmt, a geisha being filmed by André Werner , 1993, 2 min 50 s


O
ne not to miss: Directors Lounge hits LA, opening reception April 9th 6-9pm
Directors Lounge is screening assorted highlights at the prestigious Los Angeles Art Association (LAAA) as part of  NOT A CAR, a special all-media, cross-cultural exhibition featuring the highlights from our partners, the C.A.R. art fair in Essen, Germany, alongside original contemporary artworks by Los Angeles artists debuting at Gallery 825 on April 9, 2011. Exhibit runs through April 29, 2011.

pictured: some frames from
Eine Geisha wird gefilmt, a geisha being filmed by André Werner , 1993, 2 min 50 s

Thursday, March 31, 2011

Gegen Warten | Reinhold Gottwald at a.i.p.



Gegen warten. Reinhold Gottwald´s concept for his exhibition in the a.i.p. gallery is a volatile, fragile Installation, combining room and wall space. Here he works with industrial made materials, objects that he casualla found on city sites, articles that caught his attention are rededicated and Incorporated in the installation. The open construction and mounting will take place directly in the gallery. Variability as a possibility to redefine the room at the present time.


gegen warten 
Reinhold Gottwald 
a.i.p.galerie 
opening reception April 1st, 7pm 
2.4.-7.5.2011


a.i.p.galerie artist in progress
Suarezstraße 8 14057 Berlin

Monday, March 28, 2011





Teller is a magazine of stories. Stories told in pictures, in words, in both; short sharp stories, 'so I once heard this story' stories, stories of pure invention and stories that might just be true.

Teller brings together photography, fiction, poetry, non-fiction, and all kinds of graphic art, from well-known names and exciting new talent. It's beautifully designed by Neue Gestaltung and perfectly printed in Italy on lovely matt paper.

The first issue was launched in October and limited to 1000 copies, which have now sold out. Issue two will be bigger and better, perfect bound and priced at £5/€6/$8. But Teller your help! All donations raised here will go towards the printing costs of issue two.

Teller is now just 7 days away from the end of their kickstarter crowd-funding campaign, and still have some way to go to reach our target to cover the printing costs of Teller issue 2:
If they do not reach our target, we won't get a penny of the money that so many people have so generously pledged, so if you haven't donated yet, please help  to reach the target!


For a $10 donation you can pre-order issue two. You will receive your copy straight off the press, posted anywhere in the world.

And they have lots of nice rewards available for larger donations, from a very desirable Teller tote bag and the glory of a thank you in the magazine itself, to beautiful signed photo books by our contributors and even a limited edition print by Nina Mangalanayagam. Check out the rewards listings for more details.





So what can you expect from Teller issue two?
In a special themed section, we explore the curious involvement of animals in human affairs. Amber Marks, author of Headspace, the definitive guide to smell surveillance, speculates on the mysterious death of Paul the Octopus in the context of a history of animal spies. Thomas Thwaites examines how police might utilize the waggle dance of bees in the fight against horticultural crime, and Niven Govinden invites us to a nefarious hunter’s feast.
Comedian and artist Miriam Elia introduces Il Fascisto Dog, photographer Amy Stein brings human and animal worlds face to face in small-town Pennsylvania. Jose Navarro joins Spain's trashumante shepherds on an epic journey with a thousand years of tradition, and Ruby Russell and Bronwen Parker-Rhodes report on Ceausescu's legacy to the dogs of Bucharest.
In other stories, artist Anna Hughes describes delicate moments of narrative in an obscured conversation, John Angerson goes on a dry run at a space station, and acclaimed young author Lucy Caldwell depicts the pains of a teenage awakening. Salena Godden (founder of London's Book Club Boutique) leads us into a grimy London underworld. Playing with the boundaries between documentary and fiction, Anton Koslov Mayr directs a performance at the headquarters of the United Nations, in which world leaders become unwitting protagonists in a work of gonzo photo reportage.
Keep checking back - we'll let you know how issue two is taking shape. We hope you're going to enjoy it... and THANK YOU for supporting Teller!
"anything but ordinary" – Jeremy Leslie (Magculture), Creative Review
"Sure to become a collector's item" – Sean O'Hagan, The Guardian (UK)

Wednesday, March 23, 2011

Secret Life


Secret Life from ⓇⓇ Artstudio Reynolds on Vimeo.

Secret Life by REYNOLD REYNOLDS, portrays a woman trapped in an apartment with a life of its own. Transcending the narrative horizons of human desire, the film visits upon us a glimpse of a shared and sacred reality. A work that defies the ultimate metaphysical taboos of temporality by combining novel technique with intrepid philosophical vision; and daring to present that which is seldom, if ever, portrayed in any artistic medium.
Impossibilities are made possible through Reynolds’ signature aesthetic, a lens that can fill one with reverence for the mundane.
Have you ever wondered what time sees, experiences? Without mortal assumptions about time, the occupant of the apartment is no longer limited even to unique location, but here, seen through the eye of time, space itself is now become alive. Without the context of space and time, the woman’s mind collapses and neglects the organization of her experience, leaving her only with sensations. The viewer may ask: Is it her mind or is it time itself that creates the uncontrolled and uncontrollable environment? The work suggests that all living things are endowed with consciousness, meaning all living things have awareness. While the space increases in its activity, the woman becomes an ever more passive element in her world. She moves at a mechanical speed and her mind is like a clock whose hands pin the events of her life to the tapestry of time, all the while, the truth is transcendentally reflected in the mechanical eye of the camera. Her thoughts escape her and come to life, growing like the plants that inhabit the space around her: living, searching, feeling, breathing and dying.

HD video transferred from 16mm and photo stills

single channel HD projection 10 min or 2 channel HD projection each 5 min.

Synopsis:
Secret Life is the first of the Secrets Trilogy; a cycle exploring the imperceptible conditions that frame life and is followed by Secret Machine (2009) and Six Easy Pieces (2010)