Showing posts with label art in the public space. Show all posts
Showing posts with label art in the public space. Show all posts

Monday, April 23, 2012

Nebula Humilis: clouds as sculptures


Nebula Humilis: clouds as sculptures
Spanish photographer Lola Guerrera ventured out into the desert of Mexico to explore nature, and to see what happens when you intervene with it. Nebula Humilis is a collection of photographs featuring artificially colored clouds drifting against a natural backdrop.
For a similiar, indoor work by Berndnaut Smilde see The Little White Cloud
(via My Modern Metropolis)





Spanish photographer Lola Guerrera ventured out into the desert of Mexico to explore nature, and to see what happens when you intervene with it. Nebula Humilis is a collection of photographs featuring artificially colored clouds drifting against a natural backdrop.
For a similiar, indoor work by Berndnaut Smilde see The Little White Cloud

digged at the art resort

Monday, May 23, 2011

Ai Weiwei Projected on Chinese Consulate in NYC



Cuban artist Geandy Pavon projected a giant image of Ai Weiwei on the Consulate General of China in Manhattan on Friday night. Since the diplomatic mission’s security always runs protesters off their sidewalk and into a designated patch of concrete across the street, this was appropriate.
Protest project Nemesis Ai Weiwei: The Elusiveness of Being had a rippling Ai portrait tower over Twelfth Avenue, haunting the building with a public shaming. This video’s scenes of New Yorkers recognizing Ai’s face are heartwarming, but the action is only symbolic. Too many of Ai’s friends and associates are still missing and the reported details on Ai’s brief visit with his wife seem suspicious. Support from the international art community is growing steadily, but the Chinese government has not wavered in their demonstrative persecution of the artist.
by Marina Galperina

Tuesday, May 17, 2011

Cement eclipses

electoral campaign Gendarmenmarkt. Berlin. April. 2011


T he Cement Eclipses by Isaac Cordal, "small interventions in the big city" as he  calls them are clever placed little sculptures that pop up in several European cities. His sculptures take the form of little people sculpted from concrete in ’real’ situations. Cordal manages to capture a lot of emotion in his vignettes, in spite of their lack of detail or colour. He is sympathetic toward his little people and we empathise with their situations, their leisure time, their waiting for buses and their more tragic moments such as accidental death, suicide or family funerals. His sculptures can be found in gutters, on top of buildings, on top of bus sheltersLast year, London bases street art magazine LSD published an interview with Isaac. Excerpt:
Where and when did the Cement Eclipse campaign begin? 
I started making sculptures out of cement when I was at School of Art in 2002, but it was not until 2006 when I started to use them on the streets. The first place I left a Cement eclipses sculpture was in the city of Vigo


What’s the concept behind these small street pieces? 
Cement Eclipses is a critic/definition of our behavior as a social mass. This project intends to catch the attention on our devalued relation with the nature through a critical look to the collateral effects of our evolution. These scenes zoom in the routine tasks of the contemporary human being. They present fragments in which the nature, still present, maintains encouraging symptoms of survival. The precariousness of these anonymous statuettes, at the height of the sole of the passers, represents the nomadic remainders of an imperfect construction of our society. These small sculptures contemplate the demolition and reconstruction of everything around us. They catch the attention of the absurdity of our existence. more

 A book about the Cement eclipses will be presented Thursday 26th May 2011 6.00pm at The Pure Evil Gallery, London